X-Git-Url: https://git.hcoop.net/clinton/website/site/unknownlamer.org.git/blobdiff_plain/139f0eca02c99de3f76645ff1af90a1342a66274..4222507d357e6094fdcd3bb03d5ce032f8267c75:/Book%20List.html

diff --git a/Book List.html b/Book List.html
index b36f2c8..a2079d2 100644
--- a/Book List.html	
+++ b/Book List.html	
@@ -145,351 +145,387 @@
 </dl>
 </dd>
 <dt>
-<a href="#sec33">Mike Carey</a>
+<a href="#sec33">Albert Camus</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec34">Lucifer (series)</a>
+<a href="#sec34">The Plague</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec35">Confucius</a>
+<a href="#sec35">Mike Carey</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec36">Analects</a>
+<a href="#sec36">Lucifer (series)</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec37">Neil Gaiman</a>
+<a href="#sec37">Confucius</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec38">The Sandman (series)</a>
+<a href="#sec38">Analects</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec39">Neil Gaiman</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec40">The Sandman (series)</a>
+</dt>
+<dt>
+<a href="#sec41">Good Omens</a>
 </dt>
 <dt>
-<a href="#sec39">Good Omens</a>
+<a href="#sec42">American Gods</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec40">John Taylor Gatto</a>
+<a href="#sec43">John Taylor Gatto</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec41">Underground History of American Education</a>
+<a href="#sec44">Underground History of American Education</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec42">Kahlil Gibran</a>
+<a href="#sec45">Kahlil Gibran</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec43">A Tear and a Smile</a>
+<a href="#sec46">A Tear and a Smile</a>
 </dt>
 <dt>
-<a href="#sec44">The Prophet</a>
+<a href="#sec47">The Prophet</a>
 </dt>
 <dt>
-<a href="#sec45">Sand and Foam</a>
+<a href="#sec48">Sand and Foam</a>
 </dt>
 <dt>
-<a href="#sec46">The Madman</a>
+<a href="#sec49">The Madman</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec47">Homer</a>
+<a href="#sec50">Homer</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec48">The Odyssey</a>
+<a href="#sec51">The Odyssey</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec49">Aldous Huxley</a>
+<a href="#sec52">Aldous Huxley</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec50">The Doors of Perception</a>
+<a href="#sec53">The Doors of Perception</a>
 </dt>
 <dt>
-<a href="#sec51">Heaven and Hell</a>
+<a href="#sec54">Heaven and Hell</a>
 </dt>
 <dt>
-<a href="#sec52">Brave New World</a>
+<a href="#sec55">Brave New World</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec53">William James</a>
+<a href="#sec56">William James</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec54">The Varieties of Religious Experience</a>
+<a href="#sec57">The Varieties of Religious Experience</a>
 </dt>
 <dt>
-<a href="#sec55">The PhD Octopus</a>
+<a href="#sec58">The PhD Octopus</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec56">Henry James</a>
+<a href="#sec59">Henry James</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec57">The Altar of the Dead</a>
+<a href="#sec60">The Altar of the Dead</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec58">Gregor Kiczales</a>
+<a href="#sec61">Gregor Kiczales</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec59">The Art of the Metaobject Protocol</a>
+<a href="#sec62">The Art of the Metaobject Protocol</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec60">Søren Kierkegaard</a>
+<a href="#sec63">Søren Kierkegaard</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec61">Sickness Unto Death</a>
+<a href="#sec64">Sickness Unto Death</a>
 </dt>
 <dt>
-<a href="#sec62">Either/Or</a>
+<a href="#sec65">Either/Or</a>
 </dt>
 <dt>
-<a href="#sec63">Fear and Trembling</a>
+<a href="#sec66">Fear and Trembling</a>
 </dt>
 <dt>
-<a href="#sec64">Repetition</a>
+<a href="#sec67">Repetition</a>
+</dt>
+<dt>
+<a href="#sec68">The Concept of Anxiety</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec65">Alisa Kwitney</a>
+<a href="#sec69">Alisa Kwitney</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec66">Destiny: A Chronicle of Deaths Foretold</a>
+<a href="#sec70">Destiny: A Chronicle of Deaths Foretold</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec67">David Lamkins</a>
+<a href="#sec71">David Lamkins</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec68">Successful Lisp</a>
+<a href="#sec72">Successful Lisp</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec69">Mencius</a>
+<a href="#sec73">Mencius</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec70">Mencius</a>
+<a href="#sec74">Mencius</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec71">Walter Miller</a>
+<a href="#sec75">Walter Miller</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec72">A Canticle for Leibowitz</a>
+<a href="#sec76">A Canticle for Leibowitz</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec73">John Milton</a>
+<a href="#sec77">John Milton</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec74">Paradise Lost</a>
+<a href="#sec78">Paradise Lost</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec75">Alan Moore</a>
+<a href="#sec79">Alan Moore</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec76">Watchmen</a>
+<a href="#sec80">Watchmen</a>
 </dt>
 <dt>
-<a href="#sec77">V for Vendetta</a>
+<a href="#sec81">V for Vendetta</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec78">Thomas More</a>
+<a href="#sec82">Thomas More</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec79">Utopia</a>
+<a href="#sec83">Utopia</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec80">Friedrich Nietzsche</a>
+<a href="#sec84">Friedrich Nietzsche</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec81">Thus Spoke Zarathustra</a>
+<a href="#sec85">Thus Spoke Zarathustra</a>
 </dt>
 <dt>
-<a href="#sec82">Beyond Good and Evil</a>
+<a href="#sec86">Beyond Good and Evil</a>
 </dt>
 <dt>
-<a href="#sec83">On the Geneaology of Morals</a>
+<a href="#sec87">On the Geneaology of Morals</a>
 </dt>
 <dt>
-<a href="#sec84">Ecce Homo</a>
+<a href="#sec88">Ecce Homo</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec85">George Orwell</a>
+<a href="#sec89">George Orwell</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec86">1984</a>
+<a href="#sec90">1984</a>
 </dt>
 <dt>
-<a href="#sec87">Animal Farm</a>
+<a href="#sec91">Animal Farm</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec88">Plato</a>
+<a href="#sec92">Plato</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec89">Symposium</a>
+<a href="#sec93">Symposium</a>
+</dt>
+<dt>
+<a href="#sec94">Euthyphro</a>
+</dt>
+<dt>
+<a href="#sec95">Apology</a>
 </dt>
 <dt>
-<a href="#sec90">Euthyphro</a>
+<a href="#sec96">Crito</a>
 </dt>
 <dt>
-<a href="#sec91">Apology</a>
+<a href="#sec97">Phaedo</a>
 </dt>
 <dt>
-<a href="#sec92">Crito</a>
+<a href="#sec98">Protagoras</a>
 </dt>
+</dl>
+</dd>
 <dt>
-<a href="#sec93">Phaedo</a>
+<a href="#sec99">Edgar Allan Poe</a>
 </dt>
+<dd>
+<dl>
 <dt>
-<a href="#sec94">Protagoras</a>
+<a href="#sec100">Tales of Mystery and Suspense</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec95">Luke Rhinehardt</a>
+<a href="#sec101">Luke Rhinehardt</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec96">The Dice Man</a>
+<a href="#sec102">The Dice Man</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec97">Neal Stephenson</a>
+<a href="#sec103">Neal Stephenson</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec98">Snow Crash</a>
+<a href="#sec104">Snow Crash</a>
 </dt>
 <dt>
-<a href="#sec99">Cryptonomicon</a>
+<a href="#sec105">Cryptonomicon</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec100">Bjarne Stroustrup</a>
+<a href="#sec106">Bjarne Stroustrup</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec101">The C++ Programming Language (3rd edition)</a>
+<a href="#sec107">The C++ Programming Language (3rd edition)</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec102">JRR Tolkien</a>
+<a href="#sec108">JRR Tolkien</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec103">The Lord of the Rings</a>
+<a href="#sec109">The Lord of the Rings</a>
 </dt>
 <dt>
-<a href="#sec104">The Silmarillion</a>
+<a href="#sec110">The Silmarillion</a>
 </dt>
 <dt>
-<a href="#sec105">The Lost Tales</a>
+<a href="#sec111">The Lost Tales</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec106">Kurt Vonnegut</a>
+<a href="#sec112">Kurt Vonnegut</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec107">Cat's Cradle</a>
+<a href="#sec113">Cat's Cradle</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec108">H.G. Wells</a>
+<a href="#sec114">H.G. Wells</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec109">The Island of Dr Moreau</a>
+<a href="#sec115">The Island of Dr Moreau</a>
 </dt>
 </dl>
 </dd>
 <dt>
-<a href="#sec110">Yevgeny Zamyatin</a>
+<a href="#sec116">Robert Anton Wilson</a>
 </dt>
 <dd>
 <dl>
 <dt>
-<a href="#sec111">We</a>
+<a href="#sec117">The Illuminatus! Trilogy</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec118">Yevgeny Zamyatin</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec119">We</a>
 </dt>
 </dl>
 </dd>
@@ -776,11 +812,26 @@ Jerusalem</h3>
 
 
 <h2><a name="sec33" id="sec33"></a>
-Mike Carey</h2>
+Albert Camus</h2>
 
 
 
 <h3><a name="sec34" id="sec34"></a>
+The Plague</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec35" id="sec35"></a>
+Mike Carey</h2>
+
+
+
+<h3><a name="sec36" id="sec36"></a>
 Lucifer (series)</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
@@ -797,12 +848,12 @@ relation of the single individual to the absolute perfectly.</p>
 
 
 
-<h2><a name="sec35" id="sec35"></a>
+<h2><a name="sec37" id="sec37"></a>
 Confucius</h2>
 
 
 
-<h3><a name="sec36" id="sec36"></a>
+<h3><a name="sec38" id="sec38"></a>
 Analects</h3>
 
 <p><em>Nonfiction</em></p>
@@ -812,12 +863,12 @@ Analects</h3>
 
 
 
-<h2><a name="sec37" id="sec37"></a>
+<h2><a name="sec39" id="sec39"></a>
 Neil Gaiman</h2>
 
 
 
-<h3><a name="sec38" id="sec38"></a>
+<h3><a name="sec40" id="sec40"></a>
 The Sandman (series)</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -828,7 +879,7 @@ written.</p>
 
 
 
-<h3><a name="sec39" id="sec39"></a>
+<h3><a name="sec41" id="sec41"></a>
 Good Omens</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -841,13 +892,22 @@ one book I found something far greater.</p>
 
 
 
+<h3><a name="sec42" id="sec42"></a>
+American Gods</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
+
+<p>Entertaining, but the end was a bit much rushed.</p>
+
+
+
 
-<h2><a name="sec40" id="sec40"></a>
+<h2><a name="sec43" id="sec43"></a>
 John Taylor Gatto</h2>
 
 <p class="first">Former teacher and now author-activist.</p>
 
-<h3><a name="sec41" id="sec41"></a>
+<h3><a name="sec44" id="sec44"></a>
 Underground History of American Education</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
@@ -859,7 +919,7 @@ system. Available
 
 
 
-<h2><a name="sec42" id="sec42"></a>
+<h2><a name="sec45" id="sec45"></a>
 Kahlil Gibran</h2>
 
 <p class="first">Kahlil Gibran is fairly interesting; his earlier works do not
@@ -872,7 +932,7 @@ paperbacks with a hardcasing, and are of seriously inferior quality to
 the editions from the 50s and 60s (and cost quite a bit more,
 naturally).</p>
 
-<h3><a name="sec43" id="sec43"></a>
+<h3><a name="sec46" id="sec46"></a>
 A Tear and a Smile</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••</span><span class="rating-bad">••••••• </span> (3) / <em>Fiction</em></p>
@@ -882,7 +942,7 @@ Tear and a Smile</em> excepting the last poem (&quot;A Poet's Voice&quot;).</p>
 
 
 
-<h3><a name="sec44" id="sec44"></a>
+<h3><a name="sec47" id="sec47"></a>
 The Prophet</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
@@ -891,7 +951,7 @@ The Prophet</h3>
 
 
 
-<h3><a name="sec45" id="sec45"></a>
+<h3><a name="sec48" id="sec48"></a>
 Sand and Foam</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -900,7 +960,7 @@ Sand and Foam</h3>
 
 
 
-<h3><a name="sec46" id="sec46"></a>
+<h3><a name="sec49" id="sec49"></a>
 The Madman</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -910,12 +970,12 @@ The Madman</h3>
 
 
 
-<h2><a name="sec47" id="sec47"></a>
+<h2><a name="sec50" id="sec50"></a>
 Homer</h2>
 
 
 
-<h3><a name="sec48" id="sec48"></a>
+<h3><a name="sec51" id="sec51"></a>
 The Odyssey</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -925,14 +985,14 @@ The Odyssey</h3>
 
 
 
-<h2><a name="sec49" id="sec49"></a>
+<h2><a name="sec52" id="sec52"></a>
 Aldous Huxley</h2>
 
 <p class="first">Perhaps the most overrated modern writer. Other people have written
 everything he has to write better and many years before he got around
 to it.</p>
 
-<h3><a name="sec50" id="sec50"></a>
+<h3><a name="sec53" id="sec53"></a>
 The Doors of Perception</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
@@ -945,7 +1005,7 @@ utterly worthless.</p>
 
 
 
-<h3><a name="sec51" id="sec51"></a>
+<h3><a name="sec54" id="sec54"></a>
 Heaven and Hell</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
@@ -955,7 +1015,7 @@ Aldous Huxley I'm a pretentious jerk. Don't bother.</p>
 
 
 
-<h3><a name="sec52" id="sec52"></a>
+<h3><a name="sec55" id="sec55"></a>
 Brave New World</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -971,12 +1031,12 @@ the head with a hammer.</p>
 
 
 
-<h2><a name="sec53" id="sec53"></a>
+<h2><a name="sec56" id="sec56"></a>
 William James</h2>
 
 
 
-<h3><a name="sec54" id="sec54"></a>
+<h3><a name="sec57" id="sec57"></a>
 The Varieties of Religious Experience</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
@@ -985,7 +1045,7 @@ The Varieties of Religious Experience</h3>
 
 
 
-<h3><a name="sec55" id="sec55"></a>
+<h3><a name="sec58" id="sec58"></a>
 The PhD Octopus</h3>
 
 <p><em>Nonfiction</em></p>
@@ -1007,13 +1067,13 @@ from the Mandarin disease.  Are we doomed to suffer like the rest?</p>
 
 
 
-<h2><a name="sec56" id="sec56"></a>
+<h2><a name="sec59" id="sec59"></a>
 Henry James</h2>
 
 <p class="first">The novelist brother of William James; I've not read many (read:
 one) of his books, but what I did was decent.</p>
 
-<h3><a name="sec57" id="sec57"></a>
+<h3><a name="sec60" id="sec60"></a>
 The Altar of the Dead</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1025,12 +1085,12 @@ more beneath.</p>
 
 
 
-<h2><a name="sec58" id="sec58"></a>
+<h2><a name="sec61" id="sec61"></a>
 Gregor Kiczales</h2>
 
 
 
-<h3><a name="sec59" id="sec59"></a>
+<h3><a name="sec62" id="sec62"></a>
 The Art of the Metaobject Protocol</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -1047,14 +1107,14 @@ make mapping decisions customizable.</p>
 
 
 
-<h2><a name="sec60" id="sec60"></a>
+<h2><a name="sec63" id="sec63"></a>
 Søren Kierkegaard</h2>
 
 <p class="first">Kierkegaard was a master of style and philosophy; his writing is
 interesting even if one finds the theistic extentialism espoused
 disagreeable.</p>
 
-<h3><a name="sec61" id="sec61"></a>
+<h3><a name="sec64" id="sec64"></a>
 Sickness Unto Death</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -1071,7 +1131,7 @@ forces reflection.</p>
 
 
 
-<h3><a name="sec62" id="sec62"></a>
+<h3><a name="sec65" id="sec65"></a>
 Either/Or</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -1084,7 +1144,7 @@ conflict between the views.</p>
 
 
 
-<h3><a name="sec63" id="sec63"></a>
+<h3><a name="sec66" id="sec66"></a>
 Fear and Trembling</h3>
 
 <p><em>Nonfiction</em></p>
@@ -1093,7 +1153,7 @@ Fear and Trembling</h3>
 
 
 
-<h3><a name="sec64" id="sec64"></a>
+<h3><a name="sec67" id="sec67"></a>
 Repetition</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -1104,13 +1164,24 @@ repetition exists? Is transition all one can hope for?</p>
 
 
 
+<h3><a name="sec68" id="sec68"></a>
+The Concept of Anxiety</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
+
+<p>...Very clearly an early work of Kierkegaard. It is rather formal
+and difficult to get through. I'd recommend reading a lot of other
+Kierkegaard before this.</p>
+
 
-<h2><a name="sec65" id="sec65"></a>
+
+
+<h2><a name="sec69" id="sec69"></a>
 Alisa Kwitney</h2>
 
 
 
-<h3><a name="sec66" id="sec66"></a>
+<h3><a name="sec70" id="sec70"></a>
 Destiny: A Chronicle of Deaths Foretold</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -1120,12 +1191,12 @@ Destiny: A Chronicle of Deaths Foretold</h3>
 
 
 
-<h2><a name="sec67" id="sec67"></a>
+<h2><a name="sec71" id="sec71"></a>
 David Lamkins</h2>
 
 
 
-<h3><a name="sec68" id="sec68"></a>
+<h3><a name="sec72" id="sec72"></a>
 Successful Lisp</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
@@ -1136,12 +1207,12 @@ pick up Common Lisp fairly easily.</p>
 
 
 
-<h2><a name="sec69" id="sec69"></a>
+<h2><a name="sec73" id="sec73"></a>
 Mencius</h2>
 
 
 
-<h3><a name="sec70" id="sec70"></a>
+<h3><a name="sec74" id="sec74"></a>
 Mencius</h3>
 
 <p><em>Nonfiction</em></p>
@@ -1151,12 +1222,12 @@ Mencius</h3>
 
 
 
-<h2><a name="sec71" id="sec71"></a>
+<h2><a name="sec75" id="sec75"></a>
 Walter Miller</h2>
 
 
 
-<h3><a name="sec72" id="sec72"></a>
+<h3><a name="sec76" id="sec76"></a>
 A Canticle for Leibowitz</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1166,12 +1237,12 @@ A Canticle for Leibowitz</h3>
 
 
 
-<h2><a name="sec73" id="sec73"></a>
+<h2><a name="sec77" id="sec77"></a>
 John Milton</h2>
 
 
 
-<h3><a name="sec74" id="sec74"></a>
+<h3><a name="sec78" id="sec78"></a>
 Paradise Lost</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1181,12 +1252,12 @@ Paradise Lost</h3>
 
 
 
-<h2><a name="sec75" id="sec75"></a>
+<h2><a name="sec79" id="sec79"></a>
 Alan Moore</h2>
 
 
 
-<h3><a name="sec76" id="sec76"></a>
+<h3><a name="sec80" id="sec80"></a>
 Watchmen</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -1195,7 +1266,7 @@ Watchmen</h3>
 
 
 
-<h3><a name="sec77" id="sec77"></a>
+<h3><a name="sec81" id="sec81"></a>
 V for Vendetta</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1205,12 +1276,12 @@ V for Vendetta</h3>
 
 
 
-<h2><a name="sec78" id="sec78"></a>
+<h2><a name="sec82" id="sec82"></a>
 Thomas More</h2>
 
 
 
-<h3><a name="sec79" id="sec79"></a>
+<h3><a name="sec83" id="sec83"></a>
 Utopia</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1227,7 +1298,7 @@ social customs.</p>
 
 
 
-<h2><a name="sec80" id="sec80"></a>
+<h2><a name="sec84" id="sec84"></a>
 Friedrich Nietzsche</h2>
 
 <p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em>
@@ -1238,7 +1309,7 @@ by being read by far too many angsty teenagers who see (and relay)
 only Nietzsche the asshole rather than Nietzsche the master of the
 polemic.</p>
 
-<h3><a name="sec81" id="sec81"></a>
+<h3><a name="sec85" id="sec85"></a>
 Thus Spoke Zarathustra</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -1249,7 +1320,7 @@ times over the course of one's life.</p>
 
 
 
-<h3><a name="sec82" id="sec82"></a>
+<h3><a name="sec86" id="sec86"></a>
 Beyond Good and Evil</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
@@ -1262,7 +1333,7 @@ one wishes to understand <em>On the Genealogy of Morals</em>.</p>
 
 
 
-<h3><a name="sec83" id="sec83"></a>
+<h3><a name="sec87" id="sec87"></a>
 On the Geneaology of Morals</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
@@ -1274,7 +1345,7 @@ these valuations unknowingly.</p>
 
 
 
-<h3><a name="sec84" id="sec84"></a>
+<h3><a name="sec88" id="sec88"></a>
 Ecce Homo</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
@@ -1288,12 +1359,12 @@ Nietzsche explains the overall structure of his works.</p>
 
 
 
-<h2><a name="sec85" id="sec85"></a>
+<h2><a name="sec89" id="sec89"></a>
 George Orwell</h2>
 
 
 
-<h3><a name="sec86" id="sec86"></a>
+<h3><a name="sec90" id="sec90"></a>
 1984</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1302,7 +1373,7 @@ George Orwell</h2>
 
 
 
-<h3><a name="sec87" id="sec87"></a>
+<h3><a name="sec91" id="sec91"></a>
 Animal Farm</h3>
 
 <p><em>Fiction</em></p>
@@ -1312,12 +1383,12 @@ Animal Farm</h3>
 
 
 
-<h2><a name="sec88" id="sec88"></a>
+<h2><a name="sec92" id="sec92"></a>
 Plato</h2>
 
 
 
-<h3><a name="sec89" id="sec89"></a>
+<h3><a name="sec93" id="sec93"></a>
 Symposium</h3>
 
 <p><em>Fiction</em></p>
@@ -1326,7 +1397,7 @@ Symposium</h3>
 
 
 
-<h3><a name="sec90" id="sec90"></a>
+<h3><a name="sec94" id="sec94"></a>
 Euthyphro</h3>
 
 <p><em>Fiction</em></p>
@@ -1335,7 +1406,7 @@ Euthyphro</h3>
 
 
 
-<h3><a name="sec91" id="sec91"></a>
+<h3><a name="sec95" id="sec95"></a>
 Apology</h3>
 
 <p><em>Nonfiction</em></p>
@@ -1344,7 +1415,7 @@ Apology</h3>
 
 
 
-<h3><a name="sec92" id="sec92"></a>
+<h3><a name="sec96" id="sec96"></a>
 Crito</h3>
 
 <p><em>Fiction</em></p>
@@ -1353,7 +1424,7 @@ Crito</h3>
 
 
 
-<h3><a name="sec93" id="sec93"></a>
+<h3><a name="sec97" id="sec97"></a>
 Phaedo</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
@@ -1362,7 +1433,7 @@ Phaedo</h3>
 
 
 
-<h3><a name="sec94" id="sec94"></a>
+<h3><a name="sec98" id="sec98"></a>
 Protagoras</h3>
 
 <p><em>Fiction</em></p>
@@ -1372,12 +1443,29 @@ Protagoras</h3>
 
 
 
-<h2><a name="sec95" id="sec95"></a>
+<h2><a name="sec99" id="sec99"></a>
+Edgar Allan Poe</h2>
+
+<p class="first">ULTRAGOTHIK</p>
+
+<h3><a name="sec100" id="sec100"></a>
+Tales of Mystery and Suspense</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
+
+<p>This is when I learned that I still don't really like late 1800s
+American literature all that much. Some of the tales were worth
+reading, but most of it was not in a style I like all that much.</p>
+
+
+
+
+<h2><a name="sec101" id="sec101"></a>
 Luke Rhinehardt</h2>
 
 
 
-<h3><a name="sec96" id="sec96"></a>
+<h3><a name="sec102" id="sec102"></a>
 The Dice Man</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1406,12 +1494,12 @@ difficult to put down, and was read in under a week of spare time.</p>
 
 
 
-<h2><a name="sec97" id="sec97"></a>
+<h2><a name="sec103" id="sec103"></a>
 Neal Stephenson</h2>
 
 
 
-<h3><a name="sec98" id="sec98"></a>
+<h3><a name="sec104" id="sec104"></a>
 Snow Crash</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
@@ -1426,7 +1514,7 @@ as more than mere cyberpunk fiction.</p>
 
 
 
-<h3><a name="sec99" id="sec99"></a>
+<h3><a name="sec105" id="sec105"></a>
 Cryptonomicon</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
@@ -1443,12 +1531,12 @@ Stephenson novel.</p>
 
 
 
-<h2><a name="sec100" id="sec100"></a>
+<h2><a name="sec106" id="sec106"></a>
 Bjarne Stroustrup</h2>
 
 
 
-<h3><a name="sec101" id="sec101"></a>
+<h3><a name="sec107" id="sec107"></a>
 The C++ Programming Language (3rd edition)</h3>
 
 <p><em>Nonfiction</em></p>
@@ -1462,12 +1550,12 @@ down the rabbit hole.</p>
 
 
 
-<h2><a name="sec102" id="sec102"></a>
+<h2><a name="sec108" id="sec108"></a>
 JRR Tolkien</h2>
 
 
 
-<h3><a name="sec103" id="sec103"></a>
+<h3><a name="sec109" id="sec109"></a>
 The Lord of the Rings</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
@@ -1476,7 +1564,7 @@ The Lord of the Rings</h3>
 
 
 
-<h3><a name="sec104" id="sec104"></a>
+<h3><a name="sec110" id="sec110"></a>
 The Silmarillion</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
@@ -1485,7 +1573,7 @@ The Silmarillion</h3>
 
 
 
-<h3><a name="sec105" id="sec105"></a>
+<h3><a name="sec111" id="sec111"></a>
 The Lost Tales</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1495,12 +1583,12 @@ The Lost Tales</h3>
 
 
 
-<h2><a name="sec106" id="sec106"></a>
+<h2><a name="sec112" id="sec112"></a>
 Kurt Vonnegut</h2>
 
 
 
-<h3><a name="sec107" id="sec107"></a>
+<h3><a name="sec113" id="sec113"></a>
 Cat's Cradle</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
@@ -1512,12 +1600,12 @@ is definitely required nerd reading.</p>
 
 
 
-<h2><a name="sec108" id="sec108"></a>
+<h2><a name="sec114" id="sec114"></a>
 H.G. Wells</h2>
 
 
 
-<h3><a name="sec109" id="sec109"></a>
+<h3><a name="sec115" id="sec115"></a>
 The Island of Dr Moreau</h3>
 
 <p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
@@ -1527,12 +1615,29 @@ The Island of Dr Moreau</h3>
 
 
 
-<h2><a name="sec110" id="sec110"></a>
+<h2><a name="sec116" id="sec116"></a>
+Robert Anton Wilson</h2>
+
+<p class="first">Or rather, Robert Anton Wilson and Robert Shea (but my book script
+updating thing doesn't do multiple authors</p>
+
+<h3><a name="sec117" id="sec117"></a>
+The Illuminatus! Trilogy</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
+
+<p>e-cash MP5K-SD Adriatic Bellcore Lon Horiuchi 9705 Samford Road
+jihad New World Order AVN FTS2000 ANZUS subversive SAPO PET Armani</p>
+
+
+
+
+<h2><a name="sec118" id="sec118"></a>
 Yevgeny Zamyatin</h2>
 
 
 
-<h3><a name="sec111" id="sec111"></a>
+<h3><a name="sec119" id="sec119"></a>
 We</h3>
 
 <p><em>Fiction</em></p>
@@ -1565,9 +1670,12 @@ We</h3>
     </a>
   </p>
 
-<p class="cke-footer">Lindsay (Carlton): should i eat more post its
+<p class="cke-footer">    To Wise Man's Son and Wednesday's Child all is white that is not black
+      They dance in symbiotic deadlock; one step forward two steps back
+     Playing karmic snakes and ladders (All your sins will find you out)
+     When all your gains are lost in vain on cosmic wings and roundabouts
 </p>
 <p class="cke-timestamp">Last Modified:
-    October 27, 2009</p>
+    October 26, 2018</p>
   </body>
 </html>
\ No newline at end of file